The Matter of the Soul | Symphony video will be screened on 28th May at Surfrider Foundation for L’eau en movement, conception de la matière curated by Ateliers Avenue de la Milady, Biarritz as part of Fête de la Nature Biarritz. The evening line-up is:
Première Partie – Creasy John : 20h – 21h Source – Guillaume YoMk : 21h – 22h Matter of the Soul – Kat Austen : 22h – 23h
14th October 2018
National Technical Museum – Center for Architectural Heritage Plasy,
Plasy Monastery, Czech Republic
The video for biphasic | The Matter of the Soul, will be screened for the first time at Architecture and the Senses, a symposium organised by the Agosto Foundation at National Technical Museum – Center for Architectural Heritage Plasy, Mathey Hall, Plasy Monastery, Opatská konírna.
biphasic is the first movement of The Matter of the Soul symphony. This three-part symphony explores the relationship between human movement and the dispersal of Arctic water, creating in the process digital artefacts that disperse online. It is an elaboration of identity and meta-identity in the shifting times of climate crisis, interweaving socio-politics, individual needs and desires, and global impacts of human activity.
In biphasic, two discrete entities exist alongside each other, but not together, not mixing.
London-based composer John Morrison has used the conductivity meter sound recordings from The Matter of the Soul, available on Github under CC-BY-SA 4.0 license, as inspiration for his beautiful piece The Realities We Play. You can hear the characteristic rise and fall of the instrument throughout this haunting work, and most clearly at the very end.
This is the first time to my knowledge that the samples have been reused by another musician, an important step in the morphing and dispersal of The Matter of the Soul’s online identity, central to the work.