Exploring embodiment with Rosemary Lee at Crossing Borders, Independent Dance

Don’t stop ’til you feel it: explorations in environmental empathy
Kat Austen and Rosemary Lee

6th November 2018
7 – 8.30pm
Independent Dance
Siobhan Davies Studios
85 St George’s Rd, London, SE1 6ER

I’m thrilled to be in conversation with the excellent Rosemary Lee for the Crossing Borders series run by Independent Dance. We will be talking about how one connects to the environment with embodiment and emotion, and the line between art and activism.

Website and booking link

Kat Austen: “For almost my entire life, I have been perplexed at my/our inaction towards climate change and what we couch as environmental damage. Inundated with scientific data, reportage, an overwhelming scientific consensus of not only the phenomenon, but also our part in it, I wonder about why we are not only reluctant to act, but incapable of it. My work focusses on aiming to answer the question: when we know so much already, what do we need to know in order to live more compassionately with/in the world and, most importantly, how do we need to know it?

To this end, I am particularly interested in the role of emotion in our relationship to climate change. One of the ways in which I research this is to focus on modes of engendering empathy, particularly in terms of acting with and upon the body. I create musical, sound and sculptural works and participatory practices that intervene with the minded-body in different ways, aiming to generate new types of empathy with that which we consider “other” to ourselves – be it another species or another ecosystem.”

Rosemary Lee: “Often rooted in our relationship to landscape, my practice of care and empathy has a deeply human focus. I am curious about the individual and the ensemble or collective, the creating of a community and illustration of it in the works themselves, the way the work engages a knowing audience in comparison to someone who stumbles across it, the responsibility I have for the casts and the audiences experience, the role language plays in facilitating movement and how our physical and sensorial knowing of the world shapes language. An embodied understanding of our environment, whether through touch, sensory activation or or re-imagination is a form of gentle radicalism -politically and artistically. I am curious about care as a state, a felt experience and how imagination, thought, opinion and action might be affected by it. I suggest that care is infectious and familiar and can be awoken in us at any moment, how to value it and hold onto it is the challenge.”

Music video screening at Architecture and the Senses, Plasy Monastery

OLYMPUS DIGITAL CAMERA

14th October 2018
National Technical Museum – Center for Architectural Heritage Plasy,
Plasy Monastery, Czech Republic

The video for  biphasic | The Matter of the Soul, will be screened for the first time at Architecture and the Senses, a symposium organised by the Agosto Foundation at National Technical Museum – Center for Architectural Heritage Plasy, Mathey Hall, Plasy Monastery, Opatská konírna.

biphasic is the first movement of The Matter of the Soul symphony. This three-part symphony explores the relationship between human movement and the dispersal of Arctic water, creating in the process digital artefacts that disperse online. It is an elaboration of identity and meta-identity in the shifting times of climate crisis, interweaving socio-politics, individual needs and desires, and global impacts of human activity.

In biphasic, two discrete entities exist alongside each other, but not together, not mixing.

The Matter of the Soul | Symphony will première in its entirety at Howard Assembly Rooms, Opera North in Leeds, UK, on the 23rd October.  Tickets available here.