Performance at Spektrum, Berlin on Saturday 3rd March 2018
During Alien Organs, part of the Sonic Vibrations series, curated by Alfredo Ciannameo
Oceans are drastically changing. Seawater is less salty, and is becoming more acidic. The crisis in our seas is intrinsically linked to humanity’s reliance on fossil fuels. We release carbon dioxide into the air, causing temperatures to rise and ice to melt, we use them to make plastics, and we burn them to move ourselves around.
Two of my works specifically addressing these issues were shown at Spektrum, Berlin earlier this month when I debuted Concentration the first performance from my Arctic project, The Matter of the Soul, next to the Coral Empathy Device.
The performance,The Matter of the Soul | concentration, with live video from Hiroshi Matoba, is a sonic exploration of acid crystal immersion. By controlling acidity and salinity, scientific instruments scream their truths about the consequence of changing oceans.
The Matter of the Soul is an ongoing work comprising musical performance and sculptural installation to engender empathy for dispersal and transformation in the Arctic region. During a residency on the ship the Akademik Sergei Vavilov, sailing through the Canadian High Arctic, I made field recordings of the acidity and salinity of Arctic waters using hacked pH and conductivity meters. I have used these recordings, along with my hydrophone field recordings, in a composition that accompanies a live performance where I play the hacked scientific musical instruments by manipulating their physical environment with acid, crystal alkaline and salts. Forthcoming artworks from The Matter of the Soul are a sculptural installation and a longer musical composition with live performance focussing specifically in three-parts on the process of dispersal and transformation in the Arctic.
The Coral Empathy Device was exhibited along with the performance. This artwork is an experiment in interspecies empathy, aiming to create a conversation between humans and corals under anthropogenic influence. It explores differences in the way we perceive the world, and translates between a coral’s physical experience in its native marine environment, making its experience understandable to a human in their native terrestrial environment. Worn over the head, the device is driven by hydrophone recordings from the marine environment and DIY chemistry investigations into microplastic pollution near Norwegian coral reefs.
Works created with support from:
Piksel Festival, NYU Shanghai Gallery, Programme for Creativity and Innovation NYU Shanghai, Mono Shop, Friends of SPRI, Bonhams, One Ocean Expeditions, Polar Museum, Chemistry Department, University College London, and Cultural Institute at University of Leeds
Performance supported by:
Musikfonds and Re-Imagine Europe