The plan was to go to over to the gallery to set up at 2:30. At 2:26, after a week of late nights and frantic preparation to make Time Slides record and play back in a responsive loop, I plugged the external battery into the sound card – there was a spark, and it stopped working. A little warning LED started blinking. That was it – the audio card was dead.
I know the whole point about the exhibition – The Ability To Fail in Public – was to embrace the potential of failure and see it in a constructive and creative light, but having put in so much work on the project, to have achieved close to what was wanted at the outset in so short a time, and then to have it break at the last minute… that was quite a blow.
Dejected, I drew black tears on my face – the bitter tears of failure – and packed up to go.
At that point, the cavalry suggested exhibiting the defunct electronics at the show, plugged in so that the visitors could see its pathetic blinking. We decided to check to see if we could power it with the battery pack alone, so it was more portable for display. Having pulled the necessary bits together, we plugged in and lo! it worked.
Thereafter ensued a frantic 5 hours of tree climbing (to install Time Slides #Fail) and cupboard renovating (to create a novel exhibition site for Time Slides), before the first visitors showed up at the Kreuzberg Pavillion and started to engage with the work.
Time Slides and Time Slides #Fail both went down a storm tonight.
Time Slides is an interactive work reminiscent of a spider in form. It records and creates layers of sound from passers by, playing them back to create a vertical slice through time in one place. It is created as a highly intimate experience, and as with the other works in The Ability to Fail in Public, it focusses the visitor on the auditory experience – in this case using sound to create temporal distortions.
Here’s Time Slides in action:
Time Slides #Fail is much harder to capture on camera. It superimposes an evening in Brussels when Belgium played in the World Cup onto an evening in Berlin when Germany played, distorting time and space together to reveal the unique and similar elements of national experiences.
Installed in front of the gallery, in a tree on the square at Naunynstraße, the sounds of the busy Brussels streets, recorded just as Belgium won against Algeria in the World Cup last week, were extremely at odds with the visual stimuli of the surroundings. Passers by would look around confusedly, and the disjuncture produced had a particularly strong effect on cyclists, whose sensitivity to traffic noise is very important in addressing their vulnerability on the road.
Here’s the audio for Time Slides #Fail:
You can see some super pics of the exhibition on their facebook page of the event.
Time Slides was a great success, and Time Slides #Fail was deemed “Formidable!” by one visitor. We did, however, fail to fail.
**Edited to include media for Time Slides #Fail